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#WAVEBOX PEDAL HOW TO#
Please use it for its intended purpose - as a platform for civil discussion about the topic of productivity, how to improve productivity, and similarly intertwined subjects. Don't Get Distracted - This is a subreddit for productivity.We wish to keep this subreddit a civil environment for all. Catfishing is the luring of somebody into an online friendship through a fake online persona.
#WAVEBOX PEDAL MODS#
It may land you in legal trouble, and the mods cannot help you if it falls to that. Do not harass or annoy others in any way. Do not be mean, insulting or disrespectful to any other user on this subreddit. Stay positive - Be polite and courteous to each other.That obvious omission aside, Wave Box packs a wealth of quality waveshaping into an intuitive, musical plugin at a great price.A subreddit devoted to tips and tricks for being more productive. We’re perplexed by the glaring lack of a filter, though, as even a simple low-pass model would surely prove enormously useful, not just for reining in the plugin’s wonderful but frequently ear-shredding excesses, but also as a target for creative modulation. Of course, modulation is key to the whole - ahem - thing, with the LFOs bringing the rhythm and the envelope follower ideal for toughening up transients in drum tracks, adding bite to basslines and guitars, rounding off peaky signals and so on. With Asymmetrical mode generating even harmonics and Symmetrical mode generating odd harmonics, the difference in results between the two is profound and experimenting with Curve combinations opens up a huge range of distortion flavours, from gentle presence enhancement to industrial-scale decimation. Wave Box not only sounds wicked but also demonstrates impressive versatility, despite its apparently straightforward architecture. Parallel processing is on hand via the Mix knob, while the Hard Clip button kicks in a limiter, and up to 16x oversampling (for balancing aliasing with CPU hit) can be activated using the four multiplier buttons.įinally, AudioThing’s ever-present randomisation system lets you scramble all parameters at the click of a button, with the option to render individual controls immune by locking them. In the Master section of the interface, the Input knob dials in attenuation or up to 12dB of overdrive, and the Out knob ranges covers the same range at the other end of the signal flow. Between them, they enable plenty of rhythmic and input-driven distortion design, but they’d be even better with the addition of the Mix parameter to all three Destination menus, and LFO Rate and Depth to that of the Envelope Follower. Both LFOs offer all the usual waveforms (including Random), adjustable phase, synced timings from 4 bars to 1/32T, and unsynced speeds up to 2kHz.Īll three modulation sources are bipolar and share the same menu of Destination targets: Curve 1, Curve 2, Bias and Ceiling. The Envelope Follower tracks the input signal and outputs a modulation signal based on its amplitude at any given point, with Attack (1-500ms) and Release (1-1000ms) controls governing onset and disengagement. Wave Box’s waveshaping sounds awesome on its own, but it’s really intended to be modulated by the onboard envelope follower and two LFOs.
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